The Snuggie v2.0! ***NEW*** (pic)


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Accidental Subway Rainbow (PIC)



"I nearly lost it when I realized I was wearing orange under my sweater. No one else cared."

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Yawn. It’s one of the best things you can do for your brain.


[penngazette] Go ahead: Laugh if you want (though you’ll benefit your brain more if you smile), but in my professional opinion, yawning is one of the best-kept secrets in neuroscience. Even my colleagues who are researching meditation, relaxation, and stress reduction at other universities have overlooked this powerful neural-enhancing tool. However, yawning has been used for many decades in voice therapy as an effective means for reducing performance anxiety and hypertension in the throat.

Several recent brain-scan studies have shown that yawning evokes a unique neural activity in the areas of the brain that are directly involved in generating social awareness and creating feelings of empathy. One of those areas is the precuneus, a tiny structure hidden within the folds of the parietal lobe. According to researchers at the Institute of Neurology in London, the precuneus appears to play a central role in consciousness, self-reflection, and memory retrieval. The precuneus is also stimulated by yogic breathing, which helps explain why different forms of meditation contribute to an increased sense of self-awareness. It is also one of the areas hardest hit by age-related diseases and attention deficit problems, so it’s possible that deliberate yawning may actually strengthen this important part of the brain.

For these reasons I believe that yawning should be integrated into exercise and stress reduction programs, cognitive and memory enhancement training, psychotherapy, and contemplative spiritual practice. And, because the precuneus has recently been associated with the mirror-neuron system in the brain (which allows us to resonate to the feelings and behaviors of others), yawning may even help us to enhance social awareness, compassion, and effective communication with others.

Why am I so insistent? Because if I were to ask you to put this magazine down right now and yawn 10 times to experience this fabulous technique, you probably won’t do it. Even at seminars, after presenting the overwhelmingly positive evidence, when I ask people to yawn, half of the audience will hesitate. I have to coax them so they can feel the immediate relaxing effects. There’s an unexplained stigma in our society implying that it’s rude to yawn, and most of us were taught this when we were young.

As a young medical student, I was once “caught” yawning and actually scolded by my professor. He said that it was inappropriate to appear tired in front of patients, even though I was actually standing in a hallway outside of the patient’s room. Indeed, yawning does increase when you’re tired, and it may be the brain’s way of gently telling you that a little rejuvenating sleep is needed. On the other hand, exposure to light will also make you yawn, suggesting that it is part of the process of waking up.

But yawning doesn’t just relax you—it quickly brings you into a heightened state of cognitive awareness. Students yawn in class, not because the teacher is boring (although that will make you yawn as well, as you try to stay focused on the monotonous speech), but because it rids the brain of sleepiness, thus helping you stay focused on important concepts and ideas. It regulates consciousness and our sense of self, and helps us become more introspective and self-aware. Of course, if you happen to find yourself trapped in a room with a dull, boring, monotonous teacher, yawning will help keep you awake.

Yawning will relax you and bring you into a state of alertness faster than any other meditation technique I know of, and because it is neurologically contagious, it’s particularly easy to teach in a group setting. One of my former students used yawning to bring her argumentative board of directors back to order in less than 60 seconds. Why? Because it helps people synchronize their behavior with others.

Yawning, as a mechanism for alertness, begins within the first 20 weeks after conception. It helps regulate the circadian rhythms of newborns, and this adds to the evidence that yawning is involved in the regulation of wakefulness and sleep. Since circadian rhythms become asynchronous when a person’s normal sleep cycle is disturbed, yawning should help the late-night partygoer reset the brain’s internal clock. Yawning may also ward off the effects of jet lag and ease the discomfort caused by high altitudes.

So what is the underlying mechanism that makes yawning such an essential tool? Besides activating the precuneus, it regulates the temperature and metabolism of your brain. It takes a lot of neural energy to stay consciously alert, and as you work your way up the evolutionary ladder, brains become less energy efficient. Yawning probably evolved as a way to cool down the overly active mammalian brain, especially in the areas of the frontal lobe. Some have even argued that it is a primitive form of empathy. Most vertebrates yawn, but it is only contagious among humans, great apes, macaque monkeys, and chimpanzees. In fact, it’s so contagious for humans that even reading about it will cause a person to yawn.

Dogs yawn before attacking, Olympic athletes yawn before performing, and fish yawn before they change activities. Evidence even exists that yawning helps individuals on military assignment perform their tasks with greater accuracy and ease. Indeed, yawning may be one of the most important mechanisms for regulating the survival-related behaviors in mammals. So if you want to maintain an optimally healthy brain, it is essential that you yawn. It is true that excessive yawning can be a sign that an underlying neurological disorder (such as migraine, multiple sclerosis, stroke, or drug reaction) is occurring. However, I and other researchers suspect that yawning may be the brain’s attempt to eliminate symptoms by readjusting neural functioning.

Numerous neurochemicals are involved in the yawning experience, including dopamine, which activates oxytocin production in your hypothalamus and hippocampus, areas essential for memory recall, voluntary control, and temperature regulation. These neurotransmitters regulate pleasure, sensuality, and relationship bonding between individuals, so if you want to enhance your intimacy and stay together, then yawn together. Other neurochemicals and molecules involved with yawning include acetylcholine, nitric oxide, glutamate, GABA, serotonin, ACTH, MSH, sexual hormones, and opium derivate peptides. In fact, it’s hard to find another activity that positively influences so many functions of the brain.

My advice is simple. Yawn as many times a day as possible: when you wake up, when you’re confronting a difficult problem at work, when you prepare to go to sleep, and whenever you feel anger, anxiety, or stress. Yawn before giving an important talk, yawn before you take a test, and yawn while you meditate or pray because it will intensify your spiritual experience.

Conscious yawning takes a little practice and discipline to get over the unconscious social inhibitions, but people often come up with three other excuses not to yawn: “I don’t feel like it,” “I’m not tired,” and my favorite, “I can’t.” Of course you can. All you have to do to trigger a deep yawn is to fake it six or seven times. Try it right now, and you should discover by the fifth false yawn, a real one will begin to emerge. But don’t stop there, because by the tenth or twelfth yawn, you’ll feel the power of this seductive little trick. Your eyes may start watering and your nose may begin to run, but you’ll also feel utterly present, incredibly relaxed, and highly alert. Not bad for something that takes less than a minute to do. And if you find that you can’t stop yawning—I’ve seen some people yawn for thirty minutes—you’ll know that you’ve been depriving yourself of an important neurological treat.

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Top 10 movie flops of the decade


[via yahoo] Movie flops aren't just about losing money. Yes, big budgets that go bust are one consideration. But flops are also about lofty expectations dashed and high profiles brought low. They trigger embarrassing catcalls from the peanut gallery and a general whoever-thought-that-was-a-good-idea-in-the-first-place bewilderment.

Any judgments of flopitude are necessarily subjective, but here are 10 movies from the past decade that made those few moviegoers who saw them cringe. Disagree? Talk among yourselves.

10. THE SPIRIT

* Release date: December 25, 2008

* Estimated cost: $60 million

* Domestic gross: $19.8 million

Frank Miller, the man who created the comics "300" and "Sin City," and who redefined Batman and Daredevil for the modern age, directed this adaptation of Will Eisner's comic-strip hero. Starring Samuel L. Jackson and a bevy of beauties, it may have looked good on the page. But onscreen, the heavily stylized, nearly black-and-white results were disastrous. The expensive movie was killed by comic fans, who wanted Miller to go back to comics, and critics, who trashed the movie's over-the-top tones and aesthetics. Consequently, the partners at the company behind the production, Odd Lot Entertainment, parted ways after 23 years together. It even killed plans for a Miller-directed version of "Buck Rogers."


9. GRINDHOUSE

* Release date: April 6, 2007

* Estimated cost: $67 million

* Domestic gross: $25 million

Quentin Tarantino and Robert Rodriguez managed to turn twice the filmmaking firepower into half the box office (and a third of the critical praise). With "Grindhouse," what began as an explicit exercise in joyous B-movie cinema homage -- a double bill of '70s-style schlock, one film from each director -- ended up aping its scuzzy genre ancestors a little too closely in the receipts department. After the three-hour-plus "Grindhouse" opened to a mere $11.6 million, Harvey Weinstein split the film's two parts -- "Death Proof" and "Planet Terror" -- and shuttled them to international markets individually. While that recouped a little of the Weinstein Co.'s money, it incurred the wrath of purists who were angry that the original film had been corrupted. Tarantino and Weinstein are famously loyal to each other, and while the writer-director eventually made good on the losses with the $120 million-grossing "Inglourious Basterds" this year, "Grindhouse" was one instance where loyalty nearly brought down the house.

8. ROLLERBALL

* Release date: February 8, 2002

* Estimated cost: $70 million

* Domestic gross: $19 million

Norman Jewison's 1975 comment on violence, corporatism and spectacle has its place in the paranoid '70s-era cult film pantheon. John McTiernan's remake, on the other hand, would be totally forgettable if it weren't so spectacularly misconceived in every way. The cast -- Jean Reno, Chris Klein, LL Cool J and Rebecca Romijn-Stamos -- was a C-list mishmash closer to reality TV than big-budget studio moviemaking. McTiernan had long since dented his box-office bona fides with "Last Action Hero" and "The 13th Warrior." And the studio releasing it -- MGM -- was so aware of its bomb-worthiness that it pushed the release back four times, out of the summer 2001 field and into the barren wasteland of February. In a last act of desperation, the movie was also re-edited from an R to a PG-13 rating, sabotaging any last chance it had at an audience. Ultimately, it pretty much wrecked McTiernan's career (he has directed only one film since).

7. THE INVASION

* Release date: August 17, 2007

* Estimated cost: $80 million

* Domestic gross: $15.1 million

Nicole Kidman couldn't have started the decade any hotter, scoring with "Moulin Rouge," "The Others" and "The Hours." But after 2002, her career went cold in the U.S. ("Stepford Wives," "Bewitched," "Australia" and "The Golden Compass"); it's as if the actress was abducted by some sort of soul-draining body snatcher. But wait, isn't that what she's fighting in "The Invasion," Hollywood's latest remake of the 1956 film "Invasion of the Body Snatchers"? This time around, the eerie premise, based on a novel by Jack Finney, failed to catch fire. The Wachowski brothers' second unit director, James McTeigue, was called in to shoot additional scenes written by the "Matrix" whiz kids after original director Oliver Hirschbiegel was sent packing, having filmed the bulk of the movie. In an omen of things to come, Kidman suffered an on-set fender-bender during the reshoots. When the film arrived in theaters more than a year late, Kidman's regal bearing took another dent.

6. CATWOMAN

* Release date: July 23, 2004

* Estimated cost: $100 million

* Domestic gross: $40 million

It was inevitable after Michelle Pfeiffer stole scenes as Catwoman in "Batman Returns" that her black-latexed anti-heroine would get a spinoff of her own. But when the inevitable occurred in 2004, this time with Halle Berry playing the character, audiences tried hard to cover up the kitty litter. No one involved with the movie came out unscathed. Not Berry, who just two years earlier had won an Oscar for "Monster's Ball"; not Sharon Stone, who chewed up the scenery as the movie's villainess; and not Pitof, the French filmmaker making his American directorial debut. He went back to his native land and hasn't directed a theatrical feature since. The movie is another example cited by studios in their long-held contention that female superhero movies just don't work.

5. TOWN & COUNTRY

* Release date: April 27, 2001

* Estimated cost: $90 million

* Domestic gross: $6.7 million

Twenty-five years after he seduced audiences in "Shampoo," Warren Beatty decided the time was ripe for another sex comedy, albeit one with a somewhat older circle of friends. He somehow persuaded New Line, which usually concentrated on the youth market, to foot the bill. And what a bill it was: With the script still furiously going through rewrites, Peter Chelsom began shooting in June 1998; 10 months and take after take after take later, the film was still shooting. That's when co-stars like Diane Keaton and Gary Shandling had to leave to fulfill other commitments. A full year later, the whole cast regrouped to finish the shoot, which had escalated to more than twice its original $44 million price tag. The completed film was actually something of a tepid affair. Beatty dithers as a New York architect who cheats on his wife with several women; Shandling's his best pal trying to come out as gay. And then there's Charlton Heston, playing against type, as a gun nut.

4. GIGLI

* Release date: August 1, 2003

* Estimated cost: $54 million

* Domestic gross: $6.1 million

If the course of true love rarely runs smoothly, then "Gigli" is an object lesson in how rocky it can get. As the new century dawned, Ben Affleck and Jennifer Lopez -- tabloid code name: Bennifer -- were the couple of the moment. With an Oscar for writing "Good Will Hunting" and starring roles in "Pearl Harbor" and "The Sum of All Fears," his movie career was in high gear; she could boast a solid-gold music resume and rom-com appeal in movies like "The Wedding Planner" and "Maid in Manhattan." Onscreen romantic sparks seemed made to order. So what went wrong? Start with that title, "Gigli," that no one was sure how to pronounce. Add lots of lovey-dovey media appearances that erased a bit of their mystique. And then there was Martin Brest's film itself: a low-rent-mobster-boy-meets-enforcer-chick tale complete with a kidnapping, severed thumbs and Al Pacino in high dudgeon. Bennifer split in 2004, just before sharing the bill in another film not too far away on the flop-o-meter, "Jersey Girl."

3. LAND OF THE LOST

* Release date: June 5, 2009

* Estimated cost: $100 million

* Domestic gross: $65 million

Producer/puppeteers Sid and Marty Kroft were masters of the weird and cheesy; their old Saturday morning TV show, "Land of the Lost," is remembered fondly by kids who grew up in the '70s. But the material experienced something of a time warp when director Brad Silbering tried to give it a hipster spin this summer with the help of Will Ferrell, playing a paleontologist who journeys to a parallel universe where he meets the Sleestaks. Normally, any movie with a rampaging Tyrannosaurus (see "Journey to the Center of the Earth," "Night at the Museum") can't miss, but "Lost" was, well, lost in translation. The movie's PG-13 rating wasn't a comfort to many families when word got around of its toilet humor. Older moviegoers weren't interested, and Kroft purists weren't amused. Over the years, Disney and Sony had both held remake rights, but ultimately this hot potato landed at Universal, where it was one of the factors that resulted in the ouster of the studio's two top executives in October.

2. BATTLEFIELD EARTH

* Release date: May 12, 2000

* Estimated cost: $75 million

* Domestic gross: $21 million

Blame it on the Thetans if you want, but John Travolta's space oddity "Battlefield Earth" virtually imploded on the launching pad. Travolta's career was enjoying a resurgence in the wake of "Pulp Fiction" when he wagered a big chunk of his newfound credibility, as well as some of his own coin, on this passion project. "Battlefield Earth" was based on a 1972 sci-fi novel by Scientology guru L. Ron Hubbard, which Travolta promised would be "like 'Star Wars,' only better." Studios shied away, but Travolta found financing from Franchise Pictures, which would later be sued by investors for overstating the movie's costs as $100 million. Originally, Travolta hoped to play the young hero who leads a rebellion against the alien race that enslaves Earth, but the film took so long to assemble he ultimately opted instead to don dreadlocks and platform shoes to play the villain, barking lines like "Execute all man-animals at will, and happy hunting!" A planned sequel, which would have covered the second half of the novel, never materialized. "Some movies run off the rails," observed Roger Ebert. "This one is like the train crash in 'The Fugitive.'"

1. THE ADVENTURES OF PLUTO NASH

* Release date: August 6, 2002

* Estimated cost: $100 million

* Domestic gross: $4.4 million

Eddie Murphy is some kind of miracle. Five of his recent films lost more than $250 million, and yet he not only still gets hired but also commands his salary quote. But on the flop-o-meter, one Murphy title towers above even "Meet Dave," "Showtime" and "I Spy": Trumpets, please, for "The Adventures of Pluto Nash," whose release was delayed for 14 months. It instantly became the "Cleopatra" of our age. A sci-fi gangster comedy, complete with robot sidekick, set on the moon, "Pluto" was neither fish nor fowl -- but mostly foul. But unlike most stars who are tarnished by a mega-flop, Murphy -- who did take time off from broad comedies to redeem himself with his Oscar-nominated turn in "Dreamgirls" -- just keeps going and going and going.

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Twilight Moms [pic]



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The Top Ten Gross Things People Do On Airplanes


We all know about the rare instances of airline passenger misconduct that make it to the headlines, like the case of the naked, angry flyer or the fighting Lohan, but every day little instances of pure gross occur unnoticed or just unreported.[via jaunted]

Perhaps you've spotted someone getting a little too frisky beneath their $5 on-board purchase blanket or going about some hygienic business, but chances are you haven't seen all Top Ten Gross Things People Do On Airplanes:

10. Browse dating websites over the in-flight WiFi
We know that having in-flight WiFi is new and great and magical, but it's best to keep your private profile and your preferences for "18/F/Asian" private. Even if it's something as innocuous as passing the time on HotorNot.com, just remember that you're not the only one who can see your computer screen, and we bet everyone else that can is secretly laughing at you.

9. Sleep on you/sleep on the floor
It's a long flight back from Hawaii and your seatmate had two too many Mai Tais. Before you can say "Mauna Loa," he's conked out on your shoulder and speedily producing a lava flow of glistening drool. That is gross; you have permission to push them off. But what do you say when your sitting next to a mom and child, and the sleep child curls up on the floor to sleep? That is pretty bad—already people freak out about breathing airplane air, and yet we've seen children napping, opened-mouthed and sometimes laying on their stomachs, right on the dirty carpets underneath seats.

8. Use the main aisle as a space to do sit-ups, push-ups or change your child's diaper
The aisle is not your gym, nor is it a changing table. No one wants to see your lunging butt centimeters away from them as you attempt calisthenics. Likewise, no one wants to see your baby being changed and smell the reason why. And it's just as important to keep the aisle clear so that flight attendants may do their job.

7. Read Hustler, or other "adult" magazines
We realize that airport bookstores and newspaper kiosks sell adult magazines, but that doesn't mean you should immediately "read" them on the plane; those are for after the flight. It is especially inappropriate and pervy if you are seated next to a stranger.

6. Attempt to join the Mile High Club
Although it seems flirty and adventurous to get in a mood with your partner and try to see things through while in-flight, keep in mind that you're in a public space, and no one likes coming into contact with unknown fluids on surfaces in public spaces. Don't forget that you can also get arrested.

5. Attempt to join the Mile High Club solo
The provided (or purchsed) airline blanket does not mean you have complete privacy and carte blanche to do what you will underneath it. We know the flight might be long, but if others can hold off on smoking for its duration, then yeah. Also, in-flight solo loving is the sure mark of a pervert or someone who desperately wants to end their flight with a trip to jail. Thanks to @BlueNileTravel for reminding of this gross behavior.

4. Eat fried chicken
Don't bring it on a bus, don't bring it on a train, and definitely don't bring it on a place: smelly, greasy, messy food. Airline meals might suck for the most part, but we're pretty sure that a bucket of chicken isn't the appropriate carry-on option. @stetherado even said that they'd seen someone eat through their greasy take-out meal and then just dump the chicken bones onto the floor. If those aren't cleaned up properly, and say they hang around the plane for a few more flights, then we're looking at suspicious small bones being spotted beneath your seat—yuck.

3. Tend to foot hygiene
There are foot fetishists and then there's everyone else. Feet just aren't the sort of thing that you want spending 8 hours a few inches away from the side of your face, especially if they're not your own feet (doing some yoga there?). Feet can have all sorts of bacteria to rub on your armrest; we're not just talking about passengers removing shoes for the flight. @elizabethdehoff said that she's spotted first class passengers clipping toenails. They may have paid through the nose for their seat, but that doesn't give them the right to gross out everyone else who paid top dollar for first class.

2. Vomit into something that is not the supplied barf bag
Thanks to @eurocheapo, we have a gross image of this in our head: "Saw someone use the plastic wrap from an airline blanket as a barf bag...didn't really work." What happened to the original seatback pocket barf bag? Had they already used it? Being sick in this way on a plane is the worst; but people make it embarrassing by not paying attention to vomit warning signs. Look before you blindly reach into that seatback pocket.

1. Sneeze open-mouthed/neglect to wash hands after using lavatory
This in-flight offense takes the number one spot because it happens most frequently and can affect the most passengers. Letting a big sneeze go without covering your mouth will do more than garner evil looks; your germs could sicken other passengers and coat things in your mucus for the lucky flyers on future flights. And please please please wash your hands after using the lavatory. Already we know that if someone were to put a UV light to an airplane interior, we'd be in big fluorescent trouble, but that is a PSA to think twice about being just as nasty on the plane as you are at home.

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Top 5 Food Shortage Nightmares


eggo.JPG
[via houstonpress] Simultaneous shortages in Libby's canned pumpkins and Eggo waffles in the last week have led to some puzzling moments of hysteria. The situation got us thinking about which foods we'd totally freak out about if, suddenly, we couldn't get them.

peanut.JPG
5. Peanut Butter - The salmonella scare was almost a year ago, but that doesn't stop me from buying the double pack of Jif every time supplies run low. Without it, school lunches and midnight snacks would be one unending stream of pre-packaged deli meat. Bleh.

potato.JPG
4. Potatoes - If you thought the Irish had a hard time without them, imagine a world where frozen spud supplies are dwindling. I already feel like going 187 when the shake machine is out. If McDonalds ever ran out of fries, anarchy would surely follow.

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3. Riboflavin - Although I don't really know or care what Riboflavin is, I'm pretty sure they can't make cereal without it. Imagining our favorite grocery store aisle empty makes our inner child weep.

blue bell.JPG
2. Blue Bell - Texan ex-pats have been known to have the stuff packed in dry ice and shipped; it's no surprise we can't live without our Blue Bell. That "eat all we can and sell the rest" attitude is real cute until there's not enough to go around.

bacon.JPG
1. Bacon - The chronic desire for bacon needs no explanation. Even the mention of a bacon scarcity is enough to incite terror and activate hoarding tendencies in the most restrained of addicts.

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One in a Million, Split Second, OMG's Videos




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7 historic on-air meltdowns


During an hours-long meltdown that was broadcast live on the internet, MTV personality Tila Tequila stripped off all her clothes and delivered a series of bizarre rants that left some wondering if she was experiencing a breakdown. But Tequila — who's attributed the episode to anxiety over a lawsuit she's filed against ex-boyfriend Shawn Merriman — is just the latest in a series of famous stars and broadcasters who've lost control in front of the camera. Here are some other notable meltdowns: [via theweek]

1. NBC anchorwoman Jessica Savitch implodes (1983)

While anchoring the "NBC News Digest," rising star Jessica Savitch begins slurring and stumbling over her words. Rumors of drug use had dogged Savitch, and this infamous live broadcast seemed to confirm those suspicions in front of millions of American. She died three weeks later, at 36. (Watch Jessica Savitch slurring on NBC News)

2. Bill O'Reilly lashes out (early 1990s)
Last year, this video of a young Bill O'Reilly freaking out on the set of "Inside Edition" became an instant viral phenomenon. In the clip, O'Reilly directs an obscenity-laced rant at at his producer — prompting speculation that the TV personality had anger management issues. (Watch Bill O'Reilly's outburst)

3. Farrah Fawcett experiences "nerves" (1997)
During an appearance on "Late Night with David Letterman," Farrah Fawcett struggles to speak coherently and gets easily distracted by crowd noise. Fawcett's publicist later said her odd performance was the result of nerves. (Watch Farrah Fawcett flirt with David Letterman)

4. ESPN's Chris Berman throws a fit (2000)
A video of Chris Berman chastising his production crew first surfaced in 2008 and became an instant hit for sports fans. In the clip, Berman repeatedly wonders if he's the only professional working on the set. (Watch Chris Berman demand cooperation from his crew)

5. Mariah Carey strips on TRL (2001)
Showing up unannounced on the set of MTV's "Total Request Live," Mariah Carey takes off her shirt, rambles about her mother's love for the show, and hands out ice cream. (Watch Mariah Carey strip down on TRL)

6. Tom Cruise gets "jumpy" on "Oprah" (2005)
After convulsively declaring his love for Katie Holmes, Cruise leaps onto her couch and strikes victory poses. Some observers bought Cruise's teenager-in-love behavior while others called it a "desperate" PR stunt. (Watch Tom Cruise jump on Oprah's couch)

7. Jeff Macke breaks it down (2009)
During a guest appearance on "Fast Money," CNBC contributor Jeff Macke launches into a not-quite-coherent tirade against host Dennis Kneale. Macke repeatedly uses the word "crazy" in his remarks, leading some to worry about his mental health. (Watch Jeff Macke lose his cool on "Fast Money")

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How 16 ships create as much pollution as all the cars in the world


Last week it was revealed that 54 oil tankers are anchored off the coast of Britain, refusing to unload their fuel until prices have risen. [via dailymail]

But that is not the only scandal in the shipping world. Today award-winning science writer Fred Pearce – environmental consultant to New Scientist and author of Confessions Of An Eco Sinner – reveals that the super-ships that keep the West in everything from Christmas gifts to computers pump out killer chemicals linked to thousands of deaths because of the filthy fuel they use.

We've all noticed it. The filthy black smoke kicked out by funnels on cross-Channel ferries, cruise liners, container ships, oil tankers and even tugboats.

It looks foul, and leaves a brown haze across ports and shipping lanes. But what hasn’t been clear until now is that it is also a major killer, probably causing thousands of deaths in Britain alone.

As ships get bigger, the pollution is getting worse. The most staggering statistic of all is that just 16 of the world’s largest ships can produce as much lung-clogging sulphur pollution as all the world’s cars.

Because of their colossal engines, each as heavy as a small ship, these super-vessels use as much fuel as small power stations.

But, unlike power stations or cars, they can burn the cheapest, filthiest, high-sulphur fuel: the thick residues left behind in refineries after the lighter liquids have been taken. The stuff nobody on land is allowed to use.

Thanks to decisions taken in London by the body that polices world shipping, this pollution could kill as many as a million more people in the coming decade – even though a simple change in the rules could stop it.

There are now an estimated 100,000 ships on the seas, and the fleet is growing fast as goods are ferried in vast quantities from Asian industrial powerhouses to consumers in Europe and North America.

The recession has barely dented the trade. This Christmas, most of our presents will have come by super-ship from the Far East; ships such as the Emma Maersk and her seven sisters Evelyn, Eugen, Estelle, Ebba, Eleonora, Elly and Edith Maersk.

Each is a quarter of a mile long and can carry up to 14,000 full-size containers on their regular routes from China to Europe.

Tankers moored at Lyme Bay, Devon

Waiting game: Tankers moored off Devon waiting for oil prices to rise even further

Emma – dubbed SS Santa by the media – brought Christmas presents to Europe in October and is now en route from Algeciras in Spain to Yantian in southern China, carrying containers full of our waste paper, plastic and electronics for recycling.

But it burns marine heavy fuel, or ‘bunker fuel’, which leaves behind a trail of potentially lethal chemicals: sulphur and smoke that have been linked to breathing problems, inflammation, cancer and heart disease.

James Corbett, of the University of Delaware, is an authority on ship emissions. He calculates a worldwide death toll of about 64,000 a year, of which 27,000 are in Europe. Britain is one of the worst-hit countries, with about 2,000 deaths from funnel fumes. Corbett predicts the global figure will rise to 87,000 deaths a year by 2012.

Part of the blame for this international scandal lies close to home.

In London, on the south bank of the Thames looking across at the Houses of Parliament, is the International Maritime Organisation, the UN body that polices the world’s shipping.

For decades, the IMO has rebuffed calls to clean up ship pollution. As a result, while it has long since been illegal to belch black, sulphur-laden smoke from power-station chimneys or lorry exhausts, shipping has kept its licence to pollute.

For 31 years, the IMO has operated a policy agreed by the 169 governments that make up the organisation which allows most ships to burn bunker fuel.

Christian Eyde Moller, boss of the DK shipping company in Rotterdam, recently described this as ‘just waste oil, basically what is left over after all the cleaner fuels have been extracted from crude oil. It’s tar, the same as asphalt. It’s the cheapest and dirtiest fuel in the world’.

Bunker fuel is also thick with sulphur. IMO rules allow ships to burn fuel containing up to 4.5 per cent sulphur. That is 4,500 times more than is allowed in car fuel in
the European Union. The sulphur comes out of ship funnels as tiny particles, and it is these that get deep into lungs.

Thanks to the IMO’s rules, the largest ships can each emit as much as 5,000 tons of sulphur in a year – the same as 50million typical cars, each emitting an average of 100 grams of sulphur a year.

With an estimated 800million cars driving around the planet, that means 16 super-ships can emit as much sulphur as the world fleet of cars.


A year ago, the IMO belatedly decided to clean up its act. It said shipping fuel should not contain more than 3.5 per cent sulphur by 2012 and eventually must come down to 0.5 per cent. This lower figure could halve the deaths, says Corbett.

It should not be hard to do. There is no reason ship engines cannot run on clean fuel, like cars. But, away from a handful of low-sulphur zones, including the English Channel and North Sea, the IMO gave shipping lines a staggering 12 years to make the switch. And, even then, it will depend on a final ‘feasibility review’ in 2018.

In the meantime, according to Corbett’s figures, nearly one million more people will die.

Smoke and sulphur are not the only threats from ships’ funnels. Every year they are also belching out almost one billion tons of carbon dioxide. Ships are as big a contributor to global warming as aircraft – but have had much less attention from environmentalists.

Both international shipping and aviation are exempt from the Kyoto Protocol rules on cutting carbon emissions. But green pressure is having its effect on airlines. Ahead of next month’s Copenhagen climate talks, airlines have promised to cut emissions by 50 per cent by 2050.

But shipping companies are keeping their heads down. A meeting of the IMO in July threw out proposals from the British Chamber of Shipping, among others, to set up a
carbon-trading scheme to encourage emissions reductions.

Amazingly, they pleaded poverty. Two-thirds of the world’s ships are registered in developing countries such as Panama. These are just flags of convenience, to evade tougher rules on safety and pay for sailors.

But at the IMO, governments successfully argued that ships from developing countries should not have to cut carbon emissions. IMO secretary-general Efthimios Mitropoulos insisted: ‘We are heavily and consistently engaged in the fight to protect and preserve our environment.’ Yet without limits, carbon emissions from shipping could triple by 2050.

The failure brought calls for the IMO to be stripped of its powers to control the world’s ships. Colin Whybrow, of Greenwave, a British charity set up to campaign for cleaner shipping, says: ‘The IMO is drinking in the last-chance saloon.’

Burning low-sulphur fuel won’t cut carbon emissions from ships. But there are other ways. More efficient engines could reduce emissions by 30 per cent, according to British marine consultant Robin Meech.

Cutting speed could reduce emissions by as much again. And there are even wackier ways, such as putting up giant kites to harness the wind as in the days of sailing ships.

However you look at it, the super-ships are rogues on the high seas, operating under pollution standards long since banished on land; warming the planet and killing its inhabitants. Santa’s sleigh, they are not.

  • Robert Pedersen, of Maersk, said: ‘The sulphur content varies according to where you get your fuel. Our average sulphur content is, I believe, 2.5 per cent. It’s rather rare you get anything close to 4.5 per cent.’ He added that ‘the sulphur issue is one for the whole industry’ and that there would be a ‘huge cost implication’ to switch to cleaner fuel.
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Why Swearing Is Good for You


When popping a pill doesn’t work, try dropping an F-bomb.

[via good.is] Like the music of Celine Dion, swearing is a noisy phenomenon some people enjoy more than others. Military folks and college students have a well-earned reputation for salty language, but even the most mild-mouthed saint might have trouble resisting a “Jesus Christ!” or “Shit!” on occasion.

Well, it turns out a potty mouth does more than earn your conversations an R rating: it actually relieves pain, according to a new study by Richard Stephens, John Atkins, and Andrew Kingston of Keele University in the UK. But that’s not all: you’d never know it from what your mom told you, but there are many positive, beneficial aspects of swearing, including harmless venting and social bonding (not to mention reams of adult comedy). Bad language does a lot of good.

In Stephens’ study, college students were asked to list “five words you might use after hitting yourself on the thumb with a hammer” (they came up with fuck, shit, bugger, bastard, bollocks, etc.) and “five words to describe a table” (such as brown, flat, and hard). If there was a swear word on the first list, they would repeat that word at a steady rhythm and volume (no yelling allowed) while one hand was submerged in cold water. The same procedure was then followed with the non-filthy word.

Going into the study, the researchers believed that swearing was actually a type of pain-related catastrophising—in other words, a “maladaptive response to pain” that made things like horrible agony worse, not better. But Stephens and company found that “…repeating a swear word, compared with repeating a neutral word, allowed participants to hold their hands in ice cold water for 40 seconds longer (on average), they perceived less pain on a pain perception scale (questionnaire) and they had a larger heart rate increase. Because we saw an increase in heart rate we think that people had an emotional reaction to swearing (indicated by the increase in heart rate), bringing about the fight or flight response, which is known to increase pain tolerance (make people more able to withstand pain).” In a nutshell, swearing has an analgesic, pain-lessening effect that could give Ibuprofen a run for its money, probably by working us into an aggressive, heightened state.

But if pain relief isn’t enough to make you start “working blue” in your workplace and at family picnics, consider the work of Timothy Jay, Professor of Psychology at Massachusetts College of Liberal Arts, who has repeatedly found that “…swearing is a common conversational practice resulting in no obvious harm.” His work makes clear that social cohesion, emotional satisfaction, and humor are among the top good things about bad words. By email, I asked what else swearing accomplished, and Jay made a rare defense of what would normally be considered fighting words: “Angry swearing can help the speaker change the listener’s behavior—yelling at someone who did something wrong—‘you fucking idiot, you made an illegal left turn, cutting me off.’ Much of swearing is like this, a corrective measure, but usually between people who know each other.” That sounds considerably less positive than a cookie or medal of honor, but if you agree that a sharp word is less damaging than a sharp trident, I think you see Jay’s point.

I wondered whether innocent exclamations like “By the hammer of Thor!” and Battlestar Galactica’s frak have the same beneficial effects as taboo language, but Fay emphatically said, “NO. Euphemisms exist because they don’t do what the more offensive words do…. We already have a rich vocab and the inventions have to compete for space, which they don’t very well, historically speaking. The seven dirty words have been around for centuries.” Stephens agreed, saying that “…I doubt they (pain-sufferers) would have the same emotional reaction to frak, although because frak is somewhat similar to fuck, maybe there would be a lesser effect. That remains to be seen.”

Frak is the obscenity of choice for a fictional military, a la the filth-mouthedness of the real armed forces. Stephens’ work makes me wonder if the pain of being a soldier—including physical pain, mental anguish, moral quagmires, and problems I can’t even conceive of—might be one reason for all the naughty talk. Stephens said, “…it fits with our theory that people can self-regulate their own emotional state by swearing—think of a sports team coach using four letter words in a team talk about getting at the opposing team). On the other hand, if it is the shock value of the words that produces the effect then one would expect overuse of swear words to lessen the effect. Investigating this would make a great follow-up study.”

Yes, it would. Sigh. You know, it kind of hurts to leave such a fascinating topic after just one column. At least I know how to relieve the pain…

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The world's most corrupt governments


Berlin - The most corrupt countries -- Afghanistan and Iraq, which receive billions of dollars a year in U.S. and other foreign support, are among the world's most corrupt governments, a monitoring group said in a report released Tuesday. [via latimes]

"The results demonstrate that countries which are perceived as the most corrupt are also those plagued by long- standing conflicts, which have torn their governance infrastructure," Transparency International said in its annual Corruption Perceptions Index report.

The report measures perceived levels of public sector corruption in 180 countries, drawing on surveys of businesses and experts. The United States is listed as the 19th least corrupt nation, with the report raising concerns about the lack of government oversight of the financial sector.

The report found that the most and least corrupt countries were:

The world's most corrupt governments:

1. Somalia

2. Afghanistan

3. Myanmar

T4. Sudan

T4. Iraq

6. Chad

7. Uzbekistan

T8. Turkmenistan

T8. Iran

T8. Haiti

T8. Burundi

T8. Guinea

T8. Equatorial Guinea

The world's least corrupt governments:

1. New Zealand

2. Denmark

T3. Singapore

T3. Sweden

5. Switzerland

T6. Finland

T6. Netherlands

T8. Australia

T8. Canada

T8. Iceland

Source: Transparency International

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The 25 Best Movie Performances of the Decade


Sometimes, a good actor can make a bad script tolerable and mediocre script enjoyable. But occasionally, an actor will stumble upon a role they seemed born to play, and watching them transform themselves is an utter joy. We chose 25 of our favorite performances to celebrate from the last decade and could have picked another 25 we dearly loved. We only selected our favorite from each actor so that Daniel Day-Lewis, Kate Winslet, Sean Penn and Philip Seymour Hoffman didn’t simply dominate the list. [via pastemagazine]

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25. Adrien Brody as Wladyslaw Szpilman
The Pianist (2002)

While many great performances rely on dramatic and affecting dialogue, Adrien Brody’s turn as real life musician Wladyslaw Szpilman in Roman Polanski’s Holocaust drama The Pianist is hushed, a sullen-eyed lost soul hanging on to a world cloaked in gray. As the title character, Brody became a living skeleton, an all-too-real representation of one of history’s darkest periods. Justin Jacobs

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24. Ellen Page as Juno MacGuff
Juno (2007)

Ellen Page walks the delicately fine line between pitiable pregnant teen and resilient, plucky feminist in this film that manages to be both a cautionary tale and a story of love and compassion. Page displays intelligence and wit while clearly conveying the moments of humiliation that come with being pregnant in high school, producing an utterly endearing, memorable character. Emily Reimer

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23. Adam Sandler as Barry Egan
Punch-Drunk Love (2002)

In a dark romantic comedy plot complicated by phone-sex scams and Healthy Choice frozen dinners, Sandler handled this starring role in the same manner in which he shuffles down that grocery store aisle – with ease. This will shock any moviegoer who’s watched any of his mediocre comedies or who got to know the Saturday Night Live comedian for his spats with Bob Barker and feuds with imaginary penguins. Christina Lee

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22. Penélope Cruz as Raimunda
Volver (2006)

As prominently displayed in his most recent works, director Pedro Almodovar found his muse in Cruz in the same way that Woody Allen did in Diane Keaton years ago. Here, with a performance displaying both maternal and primal instincts, made as equally compelling and complex as the plot in itself, Cruz shows most clearly why such idolization is deserved. Christina Lee

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21. Jamie Foxx as Ray Charles
Ray (2004)

Jamie Foxx might have seemed an odd choice to star in Ray Charles’ biopic, but he surpassed all expectations. Sadly, Charles died just before Foxx brought all of the R&B titan’s frailties and triumphs to life on screen. Josh Jackson

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20. Anne Hathaway as Kym Buchman
Rachel Getting Married (2008)

No one expected Anne Hathaway to take on the role of an ex-junkie in Rachel Getting Married, but that doesn’t mean she didn’t deserve it. Hathaway nimbly sidesteps the clichés inherent in her character and creates a moving portrait of renewal and hope. Sean Gandert

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19. Gene Hackman as Royal Tenenbaum
The Royal Tenenbaums (2001)

Owen Wilson was brilliant in this film. Ben Stiller was brilliant in this film. Anjelica Huston was brilliant in this film. But it was Gene Hackman as the title character and family patriarch who made The Royal Tenenbaums the one of the 10 Best Movies of the Decade. Josh Jackson

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18. Laura Linney as Sammy Prescott
You Can Count on Me (2000)

Laura Linney may have been the decade’s best everywoman, giving import to the daily stresses of juggling work and family dysfunction. That distinction began with 2000’s You Can Count on Me, with a wayward brother, an overbearing boss, an infatuated new boyfriend, an abusive ex-husband and a fatherless son spinning around her center of gravity. Josh Jackson

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17. Kate Winslet as Clementine Kruczynski
Eternal Sunshine of the Spotless Mind (2004)

Perhaps the best actress of her generation, Kate Winslet brought a stunning performance to every film she made, regardless of how inconsequential they may have been. No movie showcased her talents better than Eternal Sunshine of the Spotless Mind, which allowed her to bounce from serious to playful in a matter of moments. Sean Gandert

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16. Meryl Streep as Miranda Priestly
The Devil Wears Prada (2006)

Her best of a fourth decade of outstanding performances. No one’s better at giving proper justice to a good script and a strong cast. Tim Basham

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15. Paul Giamatti as Harvey Pekar
American Splendor (2003)

It’s hard to forget his wine-whiney lines in Sideways, but his dour portrayal of comics writer Harvey Pekar in American Splendor was a more complete, singular performance. Tim Basham

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14. Halle Berry as Leticia Musgrove
Monster’s Ball (2001)

Berry’s Oscar-winning performance as down-and-out death row widower Leticia is startlingly unglamorous and fearlessly honest. In a film that is full of deeply flawed, unvarnished characters, Berry displays the kind of raw vulnerability alongside steely, almost vicious, resiliency that stays with you long after the final credits roll. Emily Riemer

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13. Helen Mirren as Queen Elizabeth II
The Queen (2006)

There are few bigger challenges than portraying a living celebrity who’s private life feels completely foreign to us commoners. Helen Mirren fully inhabited the queen of England as she navigates a world that has changed tremendously during her lifetime. Josh Jackson

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12. Julie Christie as Fiona Anderson
Away From Her (2007)

Julie Christie got her first Oscar nomination in 1965. Her fourth came 22 years later for her turn as a victim of Alzheimer’s in Sarah Polley’s directorial debut, Away From Her. Christie makes us fall in love with her character before we see her slip from her husband’s grasp, make the loss so much more palpable than it otherwise would have been. Josh Jackson

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11. Sean Penn as Jimmy Markum
Mystic River (2003)

Playing a man distraught over the murder of his daughter this is Penn at his emotional zenith (yes, a half-an-iota better than Milk) with excellent direction from Clint Eastwood. But really, Penn could be on this list for a number of roles. Tim Basham

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10. Heath Ledger as Ennis Del Mar
Brokeback Mountain (2005)

While his performance as the Joker in The Dark Knight certain deserves the acclaim it’s been given, Heath Ledger’s true tour de force was his understated work in Brokeback Mountain. Ledger brought a driving force to the movie which complimented its contemplative tone and showed a true, classical brilliance in acting that left you convinced that his character was real. Sean Gandert

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9. Don Cheadle as Paul Rusesabagina
Hotel Rwanda (2004)

As director Terry George found from his own research, this story of the 1994 Rwandan genocide unfortunately wrote itself. On the other hand, Cheadle’s portrayal as its hero seemed to rise from a passion he held within himself, transforming the role into a career golden standard still relevant today. Christina Lee

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8. Felicity Huffman as Bree Osbourne
Transamerica (2005)

Between her TV roles on Sports Night and Desperate Housewives, Felicity Huffman showed her amazing range, playing a transexual woman who finds out she’s a father a week before her sexual reassignment surgery. Josh Jackson

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7. Mickey Rourke as Randy “The Ram” Robinson
The Wrestler (2008)

This tale of a professional wrestler 20 years after his prime resembles the life of the starring actor himself, who returns to Hollywood one boxing career, one shattered cheekbone and five nose operations later. And as the wrestler searched for solace from everything he once abandoned from his sport, the role tore apart Rourke’s surgically reconstucted, sun-weathered exterior to reestablish his niche in Hollywood, if only because of one line: “I’m an old, broken-down piece of meat, and I deserve to be alone.” Christina Lee

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6. Amy Adams as Ashley Johnsten
Junebug (2005)

She might have technically been a supporting character, but Amy Adams made the most of every moment on screen. Born in Italy and raised in Colorado, she was the rare non-Southern actor who seemed to be molded from North Carolina clay. Josh Jackson

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5. Johnny Depp as Capt. Jack Sparrow
Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Daring to base the central character of a Disney franchise on a notorious junkie-alcoholic walking-corpse rock star like Rolling Stones guitarist Keith Richards was a coup, but even more mind-blowing was how well Depp’s crazy idea worked. Guzzling rum as he bobs and weaves—stumbles, really—through this film delivering hilariously slurred one-liners, he is the consummate goodhearted scoundrel, easily stealing every frame he flamboyantly swaggers across. Steve LaBate

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4. Forest Whitaker as Idi Amin
The Last King of Scotland (2006)

For much of this film, it’s easy to forget that the character you’re watching onscreen is actually a brutal, murderous dictator. The charm, depth and utter believability Whitaker brings to the role are unparalleled. And this likability makes Amin’s paranoid, violent outbreaks all the more chilling. Steve LaBate

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3. Daniel Day-Lewis as Daniel Plainview
There Will Be Blood (2007)

Without Daniel Day-Lewis, Paul Thomas Anderson’s movie could only be a faint shadow of itself. It’s a testament to Day Lewis that his performances alone are enough to draw an audience. Sean Gandert

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2. Philip Seymour Hoffman as Truman Capote
Capote (2004)

In the same manner that In Cold Blood depicted the pristine scenes of Holcomb, Kansas, and the two men who disturbed them with a quadruple murder, Seymour Hoffman offered a precise yet chilling depiction of the man who helped found New Journalism. In turn, his performance burst apart Capote’s carefully crafted narrative to show just how haunted the writer himself had become. Christina Lee

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1. Charlize Theron as Aileen Wuornos
Monster (2003)

If you haven’t watched the difficult but terrific Monster, it would be easy to dismiss Charlize Theron’s Oscar-winning performance as a gimmick: pretty actress made to look plain or ugly. We’ve seen that many times, on screens big and small, and we’re usually left wondering why the producers just didn’t get a non-starlet to play the role. But even though Theron’s physical transformation takes the ruse to a new level—it is thorough enough to render the actress unrecognizable and often indistinguishable from the real person she plays—her portrayal of serial killer Aileen Wuornos goes well beyond make-up tricks. It’s all encompassing. Theron is completely submerged in her character. Every glance, every hand gesture and every physical tick seem to be those of Wuronos. There’s not a single moment in the film in which the actress peaks out from behind those eyes. Charlize Theron captured something essential and magical (if very disturbing) in a performance that ranks as one of the best, not just of this decade, but of cinematic history. Tim Regan-Porter



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The top commercials from the past decade


Note: These are the decade's best commercials that did not air on the Super Bowl. [via adweek]
























































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